*But, you don’t.
*I am no longer waves
*mychandelierchohab
*don’t worry, we can make it work
*at and away
*cheers with me
*as if nothing happened
*take us somewhere
*moving trailer
*orbit here
*temporary souvenir
*is ghost marching next to me?
*the work of rest
*real DMZ project
*it's not where you take things from - it's where you take them to
*lobby project for Dacheongho museum
*one nail drives out another
︎︎︎
September 25, 2023 – January 21, 2024
I am no longer waves, Installation, synchronized two-channel video (4k transferred to HD videos, colour, sound, 5 min. 55 sec. on loop), vinyl prints, and wood, 2023
Embark on a journey that started with the serene contemplation of ocean wave imagery, leading to the discovery of hidden narratives. The catalyst was an ordinary picture, encased in a simple Dollarama frame, destined for swift disposal. However, over time, this tranquil image gained a compelling allure, sparking questions that echoed far beyond its initial appearance.
Imagine fixing your gaze upon these waves, a calm depiction poised to recede into obscurity. Where did this image originate? Who captured its fleeting moment? And how did it find its place on the shelves of a budget-friendly store? What began as a casual inquiry evolved into an exploration of the intricate interplay between the digital realm and the constant yearning for comprehension and connection.
In our contemporary digital age, our pursuit of answers often steers us through the limitless corridors of the internet. Interactions are increasingly channeled through AI-powered customer services, leaving our queries impersonal and generic. Amid technological convenience, the authenticity of genuine human connection can feel elusive. This sentiment remains as the tides of technological advancement continue.
My quest for answers extended beyond phone calls, emails, and online research. Through persistence, I was able to trace the image’s origins within Adobe Stock’s vast digital archive—a repository teeming with images waiting to tell their stories. Upon uncovering the photograph, I also found its enigmatic creator: Andrey Amyagov. With hopes of initiating a dialogue that could illuminate the journey of this image, I contacted Amyagov. But our connection proved fleeting, and his responses left me even more intrigued.
I came to realize at this stage of the process that the absence of direct human interaction shouldn’t have to impede the evolution of the narrative. In the absence of a tangible connection, I allowed artificial intelligence to take the lead, weaving a tale akin to the digital unveiling of stock imagery.
I am no longer waves is a testament to transformation and innate curiosity, reshaping an image once discarded into a vessel for storytelling. It intertwines the threads of human connection and algorithmic intricacies, encapsulating personal narratives within digital abstraction.
The project extends beyond pixels and dialogues, evolving into a sculptural entity housed within the Sightings cube. I am no longer waves invites immersion in a narrative odyssey that bridges the gap between discarded images and automated responses, and seeks to harmonize the digital with the profoundly human.
The artist wishes to thank Julia Eilers Smith, Michèle Thériault, Hugues Dugas, Kevin Park Jung-Hoo, Alli Melanson, Andrey Armyagov and the Leonard & Bina Ellen Art Gallery.
I am no longer waves, Installation, synchronized two-channel video (4k transferred to HD videos, colour, sound, 5 min. 55 sec. on loop), vinyl prints, and wood, 2023
Embark on a journey that started with the serene contemplation of ocean wave imagery, leading to the discovery of hidden narratives. The catalyst was an ordinary picture, encased in a simple Dollarama frame, destined for swift disposal. However, over time, this tranquil image gained a compelling allure, sparking questions that echoed far beyond its initial appearance.
Imagine fixing your gaze upon these waves, a calm depiction poised to recede into obscurity. Where did this image originate? Who captured its fleeting moment? And how did it find its place on the shelves of a budget-friendly store? What began as a casual inquiry evolved into an exploration of the intricate interplay between the digital realm and the constant yearning for comprehension and connection.
In our contemporary digital age, our pursuit of answers often steers us through the limitless corridors of the internet. Interactions are increasingly channeled through AI-powered customer services, leaving our queries impersonal and generic. Amid technological convenience, the authenticity of genuine human connection can feel elusive. This sentiment remains as the tides of technological advancement continue.
My quest for answers extended beyond phone calls, emails, and online research. Through persistence, I was able to trace the image’s origins within Adobe Stock’s vast digital archive—a repository teeming with images waiting to tell their stories. Upon uncovering the photograph, I also found its enigmatic creator: Andrey Amyagov. With hopes of initiating a dialogue that could illuminate the journey of this image, I contacted Amyagov. But our connection proved fleeting, and his responses left me even more intrigued.
I came to realize at this stage of the process that the absence of direct human interaction shouldn’t have to impede the evolution of the narrative. In the absence of a tangible connection, I allowed artificial intelligence to take the lead, weaving a tale akin to the digital unveiling of stock imagery.
I am no longer waves is a testament to transformation and innate curiosity, reshaping an image once discarded into a vessel for storytelling. It intertwines the threads of human connection and algorithmic intricacies, encapsulating personal narratives within digital abstraction.
The project extends beyond pixels and dialogues, evolving into a sculptural entity housed within the Sightings cube. I am no longer waves invites immersion in a narrative odyssey that bridges the gap between discarded images and automated responses, and seeks to harmonize the digital with the profoundly human.
The artist wishes to thank Julia Eilers Smith, Michèle Thériault, Hugues Dugas, Kevin Park Jung-Hoo, Alli Melanson, Andrey Armyagov and the Leonard & Bina Ellen Art Gallery.
Jin Heewoong, I am no longer waves, 2023. Courtesy of the Leonard & Bina Ellen Art Gallery. Photo: Jean-Michael Seminaro