https://jinheewoong.com Jinheewoong Wed, 22 Oct 2025 22:57:55 +0000 https://jinheewoong.com en https://jinheewoong.com/Fluency-non-Native Wed, 22 Oct 2025 22:57:55 +0000 Jinheewoong https://jinheewoong.com/Fluency-non-Native This work examines how language structures visibility and belonging. Two curtains—embroidered with the words Fluency and Non-Native—open and close in quiet alternation. The movement turns the everyday act of drawing a curtain into a rhythm of inclusion and exclusion, where language operates as both barrier and passage. Each word exposes its own contradiction: Fluency implies mastery and transparency, while Non-Native marks distance and difference. As the curtains move, the two terms exchange places, suggesting that linguistic identity is never fixed but constantly negotiated through repetition and gesture. Through this subtle choreography, the work reflects on how language performs social boundaries—revealing, concealing, and continually remaking what is seen. <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/997311ec02d8ebbf4d6a01ad94d58bc1728a9c238ec947471727702d9bec0935/083A4650.jpg" data-mid="239764729" border="0" src="https://freight.cargo.site/w/1000/i/997311ec02d8ebbf4d6a01ad94d58bc1728a9c238ec947471727702d9bec0935/083A4650.jpg" /><img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/f11b4145fba0f550dd9607cc615d0ce04ca4c6bfe6ef4979b088642f8675d244/083A4652.jpg" data-mid="239764730" border="0" src="https://freight.cargo.site/w/1000/i/f11b4145fba0f550dd9607cc615d0ce04ca4c6bfe6ef4979b088642f8675d244/083A4652.jpg" /><img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/79a49cc09a64e1b97d0b6b5b053642989776b920263eebfef92eff56fa1bc9d7/083A4654.jpg" data-mid="239764732" border="0" src="https://freight.cargo.site/w/1000/i/79a49cc09a64e1b97d0b6b5b053642989776b920263eebfef92eff56fa1bc9d7/083A4654.jpg" /> https://jinheewoong.com/Hugh-and-Guilliaume Tue, 21 Oct 2025 00:37:53 +0000 Jinheewoong https://jinheewoong.com/Hugh-and-Guilliaume My work emerges from moments of linguistic and cultural translation. When I introduce myself as Heewoong, it is often heard as Hugh in Toronto or Guillaume in Montréal. This recurring misrecognition reveals how language, accent, and identity are continuously reshaped through context. Through casting and molding processes, I work with disposable and everyday materials to examine how objects, like names, shift in meaning as they move across different systems of understanding. The act of translation—between languages, materials, and places—becomes both a method and a subject. I consider art as a site where misunderstanding and transformation coexist, offering a way to reflect on migration, adaptation, and the fragile constructions of belonging. <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/247a393070e2f202521e2758acc71484ad17e08822c81c72cd1a5800158b5ae1/083A4603.jpg" data-mid="239764501" border="0" src="https://freight.cargo.site/w/1000/i/247a393070e2f202521e2758acc71484ad17e08822c81c72cd1a5800158b5ae1/083A4603.jpg" /><img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/1ce287bda04a430d3c4f5d5f2b25fbafa202afbcd1dd4e588b3a818ec7cac2fa/083A4599.jpg" data-mid="239764502" border="0" src="https://freight.cargo.site/w/1000/i/1ce287bda04a430d3c4f5d5f2b25fbafa202afbcd1dd4e588b3a818ec7cac2fa/083A4599.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/470e5d5d0e89ab99b0f402de07f602f12b7c58287c4060a87650b9ee4f2711ee/083A4621.jpg" data-mid="239764505" border="0" src="https://freight.cargo.site/w/1000/i/470e5d5d0e89ab99b0f402de07f602f12b7c58287c4060a87650b9ee4f2711ee/083A4621.jpg" /><img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/0df747cfee8eb539ebb671529879eb9c8484cdd9f5eb1b6d5ca9165c706b1d42/083A4632.jpg" data-mid="239764506" border="0" src="https://freight.cargo.site/w/1000/i/0df747cfee8eb539ebb671529879eb9c8484cdd9f5eb1b6d5ca9165c706b1d42/083A4632.jpg" /> https://jinheewoong.com/I-am-no-longer-waves Tue, 05 Aug 2025 02:48:50 +0000 Jinheewoong https://jinheewoong.com/I-am-no-longer-waves September 25, 2023 – January 21, 2024 I am no longer waves, Installation, synchronized two-channel video (4k transferred to HD videos, colour, sound, 5 min. 55 sec. on loop), vinyl prints, and wood, 2023 Embark on a journey that started with the serene contemplation of ocean wave imagery, leading to the discovery of hidden narratives. The catalyst was an ordinary picture, encased in a simple Dollarama frame, destined for swift disposal. However, over time, this tranquil image gained a compelling allure, sparking questions that echoed far beyond its initial appearance. Imagine fixing your gaze upon these waves, a calm depiction poised to recede into obscurity. Where did this image originate? Who captured its fleeting moment? And how did it find its place on the shelves of a budget-friendly store? What began as a casual inquiry evolved into an exploration of the intricate interplay between the digital realm and the constant yearning for comprehension and connection. In our contemporary digital age, our pursuit of answers often steers us through the limitless corridors of the internet. Interactions are increasingly channeled through AI-powered customer services, leaving our queries impersonal and generic. Amid technological convenience, the authenticity of genuine human connection can feel elusive. This sentiment remains as the tides of technological advancement continue. My quest for answers extended beyond phone calls, emails, and online research. Through persistence, I was able to trace the image’s origins within Adobe Stock’s vast digital archive—a repository teeming with images waiting to tell their stories. Upon uncovering the photograph, I also found its enigmatic creator: Andrey Amyagov. With hopes of initiating a dialogue that could illuminate the journey of this image, I contacted Amyagov. But our connection proved fleeting, and his responses left me even more intrigued. I came to realize at this stage of the process that the absence of direct human interaction shouldn’t have to impede the evolution of the narrative. In the absence of a tangible connection, I allowed artificial intelligence to take the lead, weaving a tale akin to the digital unveiling of stock imagery. I am no longer waves is a testament to transformation and innate curiosity, reshaping an image once discarded into a vessel for storytelling. It intertwines the threads of human connection and algorithmic intricacies, encapsulating personal narratives within digital abstraction. The project extends beyond pixels and dialogues, evolving into a sculptural entity housed within the Sightings cube. I am no longer waves invites immersion in a narrative odyssey that bridges the gap between discarded images and automated responses, and seeks to harmonize the digital with the profoundly human.The artist wishes to thank Julia Eilers Smith, Michèle Thériault, Hugues Dugas, Kevin Park Jung-Hoo, Alli Melanson, Andrey Armyagov and the Leonard &amp; Bina Ellen Art Gallery. <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/00c4f2d9ad43823e1839a9a827340999a661ab0f8b0ec452db4a486118386315/ConcordiaSightingsSeptembre2023-2-of-11.jpg" data-mid="236662079" border="0" src="https://freight.cargo.site/w/1000/i/00c4f2d9ad43823e1839a9a827340999a661ab0f8b0ec452db4a486118386315/ConcordiaSightingsSeptembre2023-2-of-11.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/b437abbc7e6350f1967009f2489de397fc9b5904c6800c6b6c6ef95d03700985/ConcordiaSightingsSeptembre2023-3-of-11.jpg" data-mid="236662080" border="0" src="https://freight.cargo.site/w/1000/i/b437abbc7e6350f1967009f2489de397fc9b5904c6800c6b6c6ef95d03700985/ConcordiaSightingsSeptembre2023-3-of-11.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/d4145e7af922fc62225fac0235bda7564057d4019bd126d9c3d3159fa50bd1ba/ConcordiaSightingsSeptembre2023-6-of-11.jpg" data-mid="236662083" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d4145e7af922fc62225fac0235bda7564057d4019bd126d9c3d3159fa50bd1ba/ConcordiaSightingsSeptembre2023-6-of-11.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/2f357d47fb7347ef9db5c4a1fd535479c3b3eadec58194d945bd5ca1cbc81827/ConcordiaSightingsSeptembre2023-9-of-11.jpg" data-mid="236662086" border="0" src="https://freight.cargo.site/w/1000/i/2f357d47fb7347ef9db5c4a1fd535479c3b3eadec58194d945bd5ca1cbc81827/ConcordiaSightingsSeptembre2023-9-of-11.jpg" />Jin Heewoong, I am no longer waves, 2023. Courtesy of the Leonard &amp; Bina Ellen Art Gallery. Photo: Jean-Michael Seminaro https://jinheewoong.com/at-and-away Fri, 12 Feb 2021 16:35:11 +0000 Jinheewoong https://jinheewoong.com/at-and-away I intended to present the house itself as a live theater: two performers move through its darkened rooms at night, each wielding a flashlight, while the audience remains outside, tracing the paths of light. By positioning viewers at a distance, the work investigates the interplay between intimacy and separation, the unhurried tempo of the performers’ movements, and the voyeuristic gaze. PH V, Montreal, Canada 2020 J’ai cherché à faire de la maison un véritable théâtre vivant : deux performeurs circulent dans l’obscurité de ses pièces la nuit, chacun brandissant une lampe torche, tandis que le public, resté à l’extérieur, suit le ballet de ces faisceaux lumineux. En plaçant les spectateurs à distance, l’œuvre interroge la tension entre proximité et éloignement, le rythme mesuré des déplacements et la posture voyeuriste.이 집을 하나의 라이브 시어터로 연출하고자 했습니다. 깊은 밤, 어둠이 깔린 집 안을 두 명의 퍼포머가 각자 손전등을 든 채 천천히 가로지르며 이동하고, 관객은 집 밖에 자리 잡고 그 빛의 궤적을 관찰합니다. 관객을 떨어진 곳에 위치시키는 이 연출을 통해 작품은 친밀함과 거리감이 빚어내는 긴장감, 느린 동작이 만들어내는 리듬, 그리고 관음적 시선의 의미를 탐구합니다. <img width="2872" height="1616" width_o="2872" height_o="1616" data-src="https://freight.cargo.site/t/original/i/7c9a864d2e6c276c93869b6f2e26ae004a5a4854c89f00e9547175fdfef8694d/Screen-Shot-2021-09-01-at-1.22.53-PM.png" data-mid="117857759" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7c9a864d2e6c276c93869b6f2e26ae004a5a4854c89f00e9547175fdfef8694d/Screen-Shot-2021-09-01-at-1.22.53-PM.png" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/52701d0fdb34439c3058cf253d6c3322ee9dec7d7e2371a196a7153f58207597/IMG_9328.jpg" data-mid="98689513" border="0" src="https://freight.cargo.site/w/1000/i/52701d0fdb34439c3058cf253d6c3322ee9dec7d7e2371a196a7153f58207597/IMG_9328.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fd35caafdbf296cfb03ac24326c79119fff3f13451ec54b795790d614e668c38/IMG_9316.jpg" data-mid="98689520" border="0" src="https://freight.cargo.site/w/1000/i/fd35caafdbf296cfb03ac24326c79119fff3f13451ec54b795790d614e668c38/IMG_9316.jpg" /> https://jinheewoong.com/cheers-with-me Thu, 11 Feb 2021 18:10:17 +0000 Jinheewoong https://jinheewoong.com/cheers-with-me “Cheers with Me” is a performance piece that invites the audience to share in the longing for home through a simple, intimate ritual: a glass of sake and a clementine. Since migrating, video calls have been my sole means of bridging the gap between myself and my loved ones. I couldn’t help but wonder what would happen if this digital connection could truly erase that distance, melding the online and offline worlds into a single, shared space. PH IV, Montreal, Canada 2020“Cheers with Me”&nbsp;est une performance qui convie le public à exprimer sa nostalgie du foyer à travers un rituel intime : un verre de saké et une clémentine. Depuis mon installation à l’étranger, les appels vidéo ont été mon unique moyen de combler la distance avec mes proches. Je me suis demandé ce qu’il adviendrait si ce lien numérique pouvait véritablement abolir cette distance, fusionnant les mondes virtuel et réel en un espace partagé.“Cheers with Me”&nbsp;는 관객이 사케 한 잔과 귤 하나를 매개로 고향에 대한 그리움을 표현하도록 초대하는 퍼포먼스입니다. 이주 이후, 가족과 친구들과의 거리를 비디오 채팅으로만 이어오며 살아온 저는, 이 디지털 연결이 실제 거리를 완전히 지우고 온라인과 오프라인 세계를 하나의 공유된 공간으로 융합한다면 어떨지 상상하게 되었습니다. <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/252d1b792483034b23e1265637f9fdd268b9ecdb54b7023b60a21069df2e551c/Screen-Shot-2021-02-11-at-1.04.33-PM.png" data-mid="98595883" border="0" src="https://freight.cargo.site/w/1000/i/252d1b792483034b23e1265637f9fdd268b9ecdb54b7023b60a21069df2e551c/Screen-Shot-2021-02-11-at-1.04.33-PM.png" /> <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/044bffad22edbf59f507f2b8c4679cc3d9ce6bb86d549c486f69f90ac53149c5/Screen-Shot-2021-02-11-at-1.06.41-PM.png" data-mid="98595852" border="0" src="https://freight.cargo.site/w/1000/i/044bffad22edbf59f507f2b8c4679cc3d9ce6bb86d549c486f69f90ac53149c5/Screen-Shot-2021-02-11-at-1.06.41-PM.png" /> <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/779964af90f747c86d108a4ef11ccba13d9e4a3b0b5777cd5f3ee28e024753d8/Screen-Shot-2021-02-11-at-1.05.19-PM.png" data-mid="98595861" border="0" src="https://freight.cargo.site/w/1000/i/779964af90f747c86d108a4ef11ccba13d9e4a3b0b5777cd5f3ee28e024753d8/Screen-Shot-2021-02-11-at-1.05.19-PM.png" /> https://jinheewoong.com/mychandelierchohab Fri, 03 Apr 2020 22:27:56 +0000 Jinheewoong https://jinheewoong.com/mychandelierchohab mychandelierchohab is an environment of self-learning and self-organisation. “Chohab” means “Cooperative” in Korean, which defines the working relationship among the members of the group. Every artist is the author of their individual production and keeps their rights on their individual pieces, but the products are exhibited collectively.&nbsp;We produce site-specific chandeliers. Chandeliers enhance the importance of a space. Historically chandeliers were placed in meaningful sites such as palaces or churches. At such places they were companions of works of art. Chandeliers are ostentatious and they emphasize the significance of locations in a spectacular way. The works explore the relations between art, craft, design and how an object may become meaningful. How does an object become a lamp? How does a lamp become design? How does design become a chandelier and how does a chandelier become a work of art? When I look at the portfolio of multinational corporations, I ask myself: How come one corporation can build houses, ships, televisions, cell phones and cars at the same time? This is certainly not because a multi-talented genius is heading the conglomerate. It is not a matter of expertise. Yet the conglomerate can start any business at any time. This is the power of money, the god of commodities as Marx classified it. It is the all-mightiness of capital. mychandelierchohab uses ideas, attitude and imagination rather than capital to create chandeliers. It is an exploration of creative powers in relation to the power of capital.Text by Dirk Fleischmann Artists: Jin heewoong, Dirk fleishcmann, Park sunah, Yoon hongsan, Shin hyocheol, Jang minhee, Park jungsun mychandelierchohab는 자기 학습과 자기 조직화의 환경입니다. ‘조합’은 한국어로 ‘협동’을 의미하며, 이는 그룹 내 구성원 간의 작업 관계를 정의합니다. 각 예술가는 자신의 개별 작업의 저자이며, 작품에 대한 권리를 유지하지만, 작업물은 집단적으로 전시됩니다. 우리는 특정 장소에 맞춘 샹들리에를 제작합니다. 샹들리에는 공간의 중요성을 강조합니다. 역사적으로 샹들리에는 궁전이나 교회와 같은 의미 있는 장소에 설치되었습니다. 그러한 장소에서 샹들리에는 예술 작품의 동반자 역할을 했습니다. 샹들리에는 화려하고, 장소의 중요성을 극적으로 부각시킵니다. 이 작업은 예술, 공예, 디자인과 사물이 어떻게 의미를 갖게 되는지에 관한 관계를 탐구합니다. 물건은 어떻게 조명이 되고, 조명은 어떻게 디자인이 되며, 디자인은 어떻게 샹들리에가 되고, 샹들리에는 어떻게 예술 작품이 되는가? 대기업의 포트폴리오를 보면, 한 기업이 어떻게 동시에 집, 선박, 텔레비전, 휴대폰, 자동차를 만들 수 있는지 자문하게 됩니다. 이는 여러 재능을 가진 천재가 대기업을 이끌고 있기 때문이 아닙니다. 전문성의 문제도 아닙니다. 그러나 대기업은 언제든지 어떤 사업이든 시작할 수 있습니다. 이것이 바로 자본의 힘이며, 마르크스가 분류한 상품의 신과 같은 것입니다. 전능한 자본의 힘입니다. mychandelierchohab는 샹들리에를 창작하는 데 자본 대신 아이디어, 태도, 그리고 상상력을 사용합니다. 이는 창의적 힘과 자본의 힘 간의 관계에 대한 탐구입니다. 텍스트: Dirk Fleischmann 작가: 진희웅, Dirk Fleischmann, 박선아, 윤홍산, 신효철, 장민희, 박정선" mychandelierchohab est un environnement d'apprentissage et d'organisation autonome. « Chohab » signifie « coopératif » en coréen, ce qui définit la relation de travail entre les membres du groupe. Chaque artiste est l'auteur de sa propre production et conserve les droits sur ses œuvres individuelles, mais les produits sont exposés collectivement. Nous produisons des chandeliers conçus pour des sites spécifiques. Les chandeliers mettent en valeur l'importance d'un espace. Historiquement, les chandeliers étaient placés dans des lieux significatifs tels que des palais ou des églises. Dans ces lieux, ils accompagnaient les œuvres d'art. Les chandeliers sont ostentatoires et soulignent l'importance des lieux de manière spectaculaire. Ce projet explore les relations entre l'art, l'artisanat, le design et la manière dont un objet peut acquérir du sens. Comment un objet devient-il une lampe ? Comment une lampe devient-elle un design ? Comment un design devient-il un chandelier, et comment un chandelier devient-il une œuvre d'art ? Lorsque je regarde le portefeuille des multinationales, je me demande : comment une seule entreprise peut-elle construire des maisons, des navires, des téléviseurs, des téléphones portables et des voitures en même temps ? Ce n'est certainement pas parce qu'un génie multi-talentueux dirige le conglomérat. Ce n'est pas une question d'expertise. Pourtant, le conglomérat peut lancer n'importe quel projet à tout moment. C'est le pouvoir de l'argent, le dieu des marchandises, comme Marx l’a qualifié. C'est l'omnipotence du capital. mychandelierchohab utilise les idées, l'attitude et l'imagination plutôt que le capital pour créer des chandeliers. C'est une exploration des forces créatives en relation avec le pouvoir du capital. Texte par Dirk Fleischmann Artistes : Jin Heewoong, Dirk Fleischmann, Park Sunah, Yoon Hongsan, Shin Hyocheol, Jang Minhee, Park Jungsun" <img width="1400" height="1050" width_o="1400" height_o="1050" data-src="https://freight.cargo.site/t/original/i/57cf9594e5ab0159f21c063ea5e9d53927d9636c9a0ce231b40d510b45d85e14/chandelier24.jpg" data-mid="65651560" border="0" src="https://freight.cargo.site/w/1000/i/57cf9594e5ab0159f21c063ea5e9d53927d9636c9a0ce231b40d510b45d85e14/chandelier24.jpg" /> <img width="1400" height="1050" width_o="1400" height_o="1050" data-src="https://freight.cargo.site/t/original/i/939b3e7af7d2ac9baf4153b06ab96fc837fb594b62996da503b7388cee3d7880/chandelier22.jpg" data-mid="65651564" border="0" src="https://freight.cargo.site/w/1000/i/939b3e7af7d2ac9baf4153b06ab96fc837fb594b62996da503b7388cee3d7880/chandelier22.jpg" /><img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/dcf4a27de3d2b7151d8cc1fa43fef362990e106cdb2192e7d2c63fd81c6afdb2/chandelier25.jpg" data-mid="65651567" border="0" src="https://freight.cargo.site/w/1000/i/dcf4a27de3d2b7151d8cc1fa43fef362990e106cdb2192e7d2c63fd81c6afdb2/chandelier25.jpg" /> <img width="1400" height="1050" width_o="1400" height_o="1050" data-src="https://freight.cargo.site/t/original/i/abbfbf13c657d046a966af803473e23b6ffa61f6cbf9b9908186d6f0b75993e4/chandelier26.jpg" data-mid="65651566" border="0" src="https://freight.cargo.site/w/1000/i/abbfbf13c657d046a966af803473e23b6ffa61f6cbf9b9908186d6f0b75993e4/chandelier26.jpg" /><img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/09285bff00e2ea7791e3c5066e80313fe40ac245f9592f93cc4faf3fdc2dd3ba/chandelier21.jpg" data-mid="65651559" border="0" src="https://freight.cargo.site/w/1000/i/09285bff00e2ea7791e3c5066e80313fe40ac245f9592f93cc4faf3fdc2dd3ba/chandelier21.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/b64a7ae8d26172c229d7557fc35625898a5416177117554579dd6d5e257e016a/chandelier23.jpg" data-mid="65651563" border="0" src="https://freight.cargo.site/w/1000/i/b64a7ae8d26172c229d7557fc35625898a5416177117554579dd6d5e257e016a/chandelier23.jpg" /><img width="1680" height="1260" width_o="1680" height_o="1260" data-src="https://freight.cargo.site/t/original/i/16b1a40ec72c6ab4b8e6d2777e1558d780e7e625971d01acaa9a0c2c32478583/chandelier1.jpg" data-mid="65651555" border="0" src="https://freight.cargo.site/w/1000/i/16b1a40ec72c6ab4b8e6d2777e1558d780e7e625971d01acaa9a0c2c32478583/chandelier1.jpg" /> <img width="3872" height="2592" width_o="3872" height_o="2592" data-src="https://freight.cargo.site/t/original/i/5f6daf7726bfd5417da16677e01c83dec2cbcbb733a3b1dc1b2c388cbefdc768/chandelier2.jpg" data-mid="65651565" border="0" src="https://freight.cargo.site/w/1000/i/5f6daf7726bfd5417da16677e01c83dec2cbcbb733a3b1dc1b2c388cbefdc768/chandelier2.jpg" /> <img width="3872" height="2592" width_o="3872" height_o="2592" data-src="https://freight.cargo.site/t/original/i/12baa326ed4dc56e29bd056b60d6edd008e20e2b676678fc832351b4d5c8c38e/chandelier3.jpg" data-mid="65651554" border="0" src="https://freight.cargo.site/w/1000/i/12baa326ed4dc56e29bd056b60d6edd008e20e2b676678fc832351b4d5c8c38e/chandelier3.jpg" /><img width="3872" height="2592" width_o="3872" height_o="2592" data-src="https://freight.cargo.site/t/original/i/dceb3bccb9b866f333736e5fc0fda84f02eda3fb64cda0e7d1aa993e1faa68d3/chandelier4.jpg" data-mid="65651562" border="0" src="https://freight.cargo.site/w/1000/i/dceb3bccb9b866f333736e5fc0fda84f02eda3fb64cda0e7d1aa993e1faa68d3/chandelier4.jpg" /><img width="3473" height="5213" width_o="3473" height_o="5213" data-src="https://freight.cargo.site/t/original/i/f3d98f179862d0c27a993edeec26157b5e75554624e729f060686793effb7e92/chandelier30.jpg" data-mid="65651553" border="0" src="https://freight.cargo.site/w/1000/i/f3d98f179862d0c27a993edeec26157b5e75554624e729f060686793effb7e92/chandelier30.jpg" /> <img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/8ba6e65cfd22a6c36c948aedc02575cf6e229a91ea4fbef84e4896f82bcca0c4/chandelier7.jpg" data-mid="65651561" border="0" src="https://freight.cargo.site/w/1000/i/8ba6e65cfd22a6c36c948aedc02575cf6e229a91ea4fbef84e4896f82bcca0c4/chandelier7.jpg" /><img width="5196" height="3462" width_o="5196" height_o="3462" data-src="https://freight.cargo.site/t/original/i/9fa83989c0165f502ce91201d58e96a00d1c8acb60859c6bbb26818d4f9952cc/chandelier9.jpg" data-mid="65651552" border="0" src="https://freight.cargo.site/w/1000/i/9fa83989c0165f502ce91201d58e96a00d1c8acb60859c6bbb26818d4f9952cc/chandelier9.jpg" /> <img width="3872" height="2592" width_o="3872" height_o="2592" data-src="https://freight.cargo.site/t/original/i/91c7f0295e749cc346b7776d9776b679d1f09b097a6ef0425dfbac93c551c4a9/chandelier13.jpg" data-mid="65651557" border="0" src="https://freight.cargo.site/w/1000/i/91c7f0295e749cc346b7776d9776b679d1f09b097a6ef0425dfbac93c551c4a9/chandelier13.jpg" /> <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/6ae5b907ffee28fcc5da7dde3c921b27734b19b1eef11300b06bd9103894c47a/chandelier19.jpg" data-mid="65651548" border="0" src="https://freight.cargo.site/w/1000/i/6ae5b907ffee28fcc5da7dde3c921b27734b19b1eef11300b06bd9103894c47a/chandelier19.jpg" /> <img width="4989" height="2980" width_o="4989" height_o="2980" data-src="https://freight.cargo.site/t/original/i/10a26baffdaebb6518abc980f1bdd8aacf2ab9fbeadb2858d4dac6981498ef51/chandelier31.jpg" data-mid="65651547" border="0" src="https://freight.cargo.site/w/1000/i/10a26baffdaebb6518abc980f1bdd8aacf2ab9fbeadb2858d4dac6981498ef51/chandelier31.jpg" /> https://jinheewoong.com/as-if-nothing-happened Fri, 17 Apr 2020 17:16:57 +0000 Jinheewoong https://jinheewoong.com/as-if-nothing-happened QO is a collective of wayfarers and itinerants.We share a common experience of rootlessness. Where do you show your work when you are in flux? In precarity? The white cube gives breathing space to art, but it also hems it in. If our lives are full of motion, how do we give that same space to our work?Where do you show your work when you work on unknown ground?The abode of the nomad is not on the ground. It is in the sky. It is the sky that the vagabond looks to every night. The sky that orients. That is compass, storyteller, companion.When sky becomes the familiar ground, it becomes a material as solid and stable as earth, or clay. The sky becomes as familiar as the white walls of the gallery: expanding past their edges.This is an evening of gallery walls the shape of horizons. ‘As if nothing happened’ is a single-channel video work that constructed with collected footage while looking up the sky daily. Staring at the sky brings the nostalgia for my childhood and reminds me of how far away I am from home physically and mentally, but It also brings the realization that there’re more airplanes in the sky than there are birds.QO는 뿌리 없이 떠도는 방랑자와 떠돌이들의 집단으로, 유동적이고 불안정한 환경 속에서 공통된 경험을 나눕니다. 우리는 ‘화이트 큐브’가 예술에 숨 쉴 공간을 제공함과 동시에 그 한계를 드러낸다는 모순을 인식합니다. 끊임없이 움직이는 우리의 삶은 정적이고 견고한 전시장에 갇히기 어려우며, 따라서 작업을 전시할 때도 비슷한 유연성과 확장성을 고민해야 합니다. 유목민이 매일 밤 하늘을 바라보듯, 우리는 신뢰할 수 있는 ‘터’ 대신에 하늘을 나침반이자 이야기꾼, 동반자로 삼습니다. 익숙해진 하늘은 마치 흙이나 점토처럼 단단한 재료가 되어, 갤러리의 흰 벽과 같은 익숙함을 지닌 채 그 경계를 넘어 확장됩니다. 이로써 우리는 ‘수평선으로 펼쳐진 저녁의 갤러리 벽’을 상상하며, 미지의 땅에서도 작업이 자연스럽게 호흡할 수 있는 전시 공간을 모색합니다. ‘아무 일도 없었던 것처럼’은 매일 같은 시간에 하늘을 올려다보며 기록한 영상을 엮은 단채널 비디오 작업입니다. 파랗게 기운 저녁 하늘은 어린 시절 향수를 불러일으키고, 동시에 육체적·정신적으로 고향에서 얼마나 멀리 떨어져 있는지를 일깨워 줍니다. 그리고 그 하늘 위를 가로지르는 비행기의 꼬리 여럿이 새보다 더 많이 비행한다는 사실이, 우리가 바라보는 하늘의 의미를 다시금 질문하게 만듭니다. QO est un collectif de voyageurs et d'itinérants. Nous partageons une expérience commune de déracinement. Où exposer son travail quand on est en mouvement? Dans la précarité? Le cube blanc donne de l’espace à l’art pour respirer, mais il peut aussi le restreindre. Si nos vies sont faites de mouvement, comment donner le même espace à notre travail? Où exposer notre œuvre lorsque nous travaillons sur un sol inconnu? Le foyer du nomade n'est pas sur la terre, mais dans le ciel. C’est vers le ciel que le vagabond se tourne chaque nuit. Ce ciel oriente, sert de boussole, de conteur, de compagnon. Lorsque le ciel devient un sol familier, il devient un matériau aussi solide et stable que la terre ou l’argile. Le ciel devient aussi familier que les murs blancs de la galerie : il s’étend au-delà de leurs limites. C’est une soirée où les murs de la galerie prennent la forme des horizons. ‘Comme si de rien n'était’ est une vidéo monocanal construite à partir d’images collectées chaque jour en levant les yeux vers le ciel. Regarder le ciel éveille une nostalgie de mon enfance et me rappelle combien je suis loin de chez moi, physiquement et mentalement. Mais cela me fait aussi réaliser qu'il y a plus d'avions dans le ciel que d'oiseaux. exhibition in the sky curated by quiteourselves, park jarry, Monteal, Canada, single channel video, 8” 21”, 2019 <img width="2859" height="1611" width_o="2859" height_o="1611" data-src="https://freight.cargo.site/t/original/i/1beacecee9d945bc58be60f5869f54b95ac65243af37474832f68e7b751d4724/still-1.jpg" data-mid="67370610" border="0" src="https://freight.cargo.site/w/1000/i/1beacecee9d945bc58be60f5869f54b95ac65243af37474832f68e7b751d4724/still-1.jpg" /> <img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/6d650e36eecd090e042f718a39adca840f9a1f1bbf9836040c9c42a22392128f/still-2.jpg" data-mid="67370611" border="0" src="https://freight.cargo.site/w/1000/i/6d650e36eecd090e042f718a39adca840f9a1f1bbf9836040c9c42a22392128f/still-2.jpg" /> <img width="2868" height="1606" width_o="2868" height_o="1606" data-src="https://freight.cargo.site/t/original/i/e6da2aeaef68bcd11f287fe95c7de047d37be5243574640a1c15ae11570bbde2/still-3.jpg" data-mid="67370612" border="0" src="https://freight.cargo.site/w/1000/i/e6da2aeaef68bcd11f287fe95c7de047d37be5243574640a1c15ae11570bbde2/still-3.jpg" /> https://jinheewoong.com/take-us-somewhere Fri, 03 Apr 2020 23:10:25 +0000 Jinheewoong https://jinheewoong.com/take-us-somewhere Take Us Somewhere is a collaborative project of two artists, Heewoong Jin and Kevin Jung-Hoo Park. The project concerns our interest in finding ways to aesthetically externalize the experience of migration and instability. As immigrants, both of us longed for a homeland or, at least, a community, where we can find people whom might help us feel a sense of belonging. We have met in one of these communities, where we have also met others who have felt the need to cope with their aftermaths of migration. In fact, in these communities, we have also realized our experiences are not exclusive to immigrants alone, but to people from other provinces as well. This led us to wonder if it is not just the distance laid between his/her homeland but also the act of moving itself that causes the experience of migration. Eventually, the project has become a wider research on the effects and experiences of migration in relation to the distance and movement between one’s points of departure and arrival. Take Us Somewhere is an attempt to create a foundation to open dialogue of the meaning and impact of migration in today’s world. Take Us Somewhere는 진희웅과 박정후 두 예술가가 이주와 불안정성의 경험을 미적으로 탐구하기 위해 공동으로 시작한 프로젝트입니다. 이민자로서 우리는 ‘고향’이나 ‘소속감’을 나눌 수 있는 안전한 공동체를 그리워했으며, 우연히 만나게 된 한 커뮤니티에서 같은 상실과 방황을 겪는 이들을 만났습니다. 그곳에서 우리는 이주 경험이 단순히 ‘고향과의 물리적 거리’만이 아니라, 끊임없는 이동 그 자체가 만들어내는 심리적·사회적 간극임을 깨달았습니다. 이는 마치 출발지와 도착지 사이에 놓인 보이지 않는 틈처럼, 개인을 끊임없이 흔들고 재형성하는 힘으로 다가왔습니다. 이러한 인식을 바탕으로 Take Us Somewhere는 ‘거리’와 ‘이동’이라는 키워드를 중심으로 이주의 의미와 영향을 폭넓게 연구하고 있습니다. 오늘날 세계에서 이주가 개인과 공동체에 던지는 질문들을 함께 탐색하며, 다양한 목소리와 시각이 교차하는 장을 만들어 나가고자 합니다. Take Us Somewhere est un projet collaboratif de deux artistes, Heewoong Jin et Kevin Jung-Hoo Park. Ce projet exprime notre intérêt pour la recherche de moyens d’extérioriser esthétiquement l'expérience de la migration et de l'instabilité. En tant qu’immigrants, nous avons tous deux éprouvé un désir de trouver une patrie ou, au moins, une communauté où nous pourrions rencontrer des personnes capables de nous offrir un sentiment d'appartenance. Nous nous sommes rencontrés dans l'une de ces communautés, où nous avons aussi rencontré d’autres personnes ressentant le besoin de faire face aux séquelles de la migration. En fait, dans ces communautés, nous avons pris conscience que notre expérience n’était pas exclusive aux immigrants, mais concernait aussi des personnes provenant d’autres régions. Cela nous a amenés à nous demander si ce n’est pas seulement la distance entre une personne et son lieu d'origine, mais aussi l’acte de se déplacer lui-même qui engendre l'expérience de la migration. Finalement, ce projet est devenu une recherche élargie sur les effets et les expériences de la migration en relation avec la distance et le mouvement entre les points de départ et d’arrivée d'une personne. Take Us Somewhere est une tentative de créer une base pour ouvrir un dialogue sur le sens et l'impact de la migration dans le monde actuel. <img width="2878" height="1610" width_o="2878" height_o="1610" data-src="https://freight.cargo.site/t/original/i/ed0600ad27406ad24b9d4c0d9d9ee1233f0ffe193bd5cc9c04082567ed7d0555/Takeussomewhere-still3.jpg" data-mid="65653807" border="0" src="https://freight.cargo.site/w/1000/i/ed0600ad27406ad24b9d4c0d9d9ee1233f0ffe193bd5cc9c04082567ed7d0555/Takeussomewhere-still3.jpg" /> <img width="2864" height="1610" width_o="2864" height_o="1610" data-src="https://freight.cargo.site/t/original/i/e74f6d838778c3bc5dda6a50475d4d010218832c763f01d70467d1488d72efa4/Takeussomewhere-still1.jpg" data-mid="65653805" border="0" src="https://freight.cargo.site/w/1000/i/e74f6d838778c3bc5dda6a50475d4d010218832c763f01d70467d1488d72efa4/Takeussomewhere-still1.jpg" /> <img width="2820" height="1414" width_o="2820" height_o="1414" data-src="https://freight.cargo.site/t/original/i/7d4bc5dd694a43ab7768f56d549f413dfd04fbffd1452a7eba81d9a09515c0bc/Takeussomewhere-still2.jpg" data-mid="65653806" border="0" src="https://freight.cargo.site/w/1000/i/7d4bc5dd694a43ab7768f56d549f413dfd04fbffd1452a7eba81d9a09515c0bc/Takeussomewhere-still2.jpg" /> still images https://jinheewoong.com/moving-trailer Fri, 03 Apr 2020 23:28:46 +0000 Jinheewoong https://jinheewoong.com/moving-trailer Moving Trailer (2017–ongoing) is a performative intervention in the urban landscape. Instead of traditional gallery spaces, exhibitions unfold inside a trailer—evoking the ritual of moving day. Artists park the trailer at selected sites, transforming each temporary stop into an immersive installation. The trailer becomes both a vessel of possibility for the artist and a mobile platform for their work. Moving Trailer (2017 – en cours) est une intervention performative dans le paysage urbain. Plutôt que de recourir aux galeries classiques, les expositions se tiennent à l’intérieur d’une remorque, évoquant le rituel du jour de déménagement. Les artistes stationnent la remorque dans des lieux choisis, faisant de chaque arrêt un espace d’installation éphémère. La remorque devient à la fois un vecteur de potentialités pour l’artiste et une plateforme mobile pour ses œuvres.Moving Trailer(무빙 트레일러, 2017년~현재)는 도시 환경 속에서 펼쳐지는 퍼포먼스적 개입입니다. 전통적인 갤러리 대신, 이사하는 날의 의식을 떠올리게 하는 트레일러 내부에서 전시가 이루어집니다. 작가는 선정된 장소에 트레일러를 주차하고, 매 정차 지점이 몰입형 설치 작업의 무대가 됩니다. 이 트레일러는 작가에게 잠재성을 담은 그릇이자, 작품을 실어 나르는 이동형 플랫폼이 됩니다.moving trailer 2017, my first solo show in montrealI recently migrated to Montreal, Canada.Not familiar land, Feeling still in moving, quickly reflects on my body. I embraced to see a mountain although there was no mountain.moving trailer 2018, It changes by the movingTwo objects are placed and rely on each other inside the moving trailer. Each time the moving trailer moves, these two objects show instability due to the speed of the vehicle and trembling due to the condition of the road surface. Sometimes it will crash into the wall, It will hit each other and tangle. When the vehicle stops, we see the distance between these two objects. The physical experiences that these two objects having as they moved, it is implicitly projecting the situation of emotional movement in the relationship.moving trailer 2019, mymontréalchandelierchohab (JinHeewoong, Claire Stewart)While at a public park in Montreal, we stared up at the almost full moon shining in the clear night sky. We started to discuss the UHaul project in abstract terms; movement and light. Expanding on the ongoing Chandeliers project, which is a collaborative, and site-specific installation project, we both thought that it would be nice if we could “pack” the “moonlight” into a moving trailer somehow. <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/383f4f49f17cf39c44a57d2571b6f5f29fec63caec19257823d116aceeb4c610/341A6374.jpg" data-mid="65655313" border="0" src="https://freight.cargo.site/w/1000/i/383f4f49f17cf39c44a57d2571b6f5f29fec63caec19257823d116aceeb4c610/341A6374.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/d180849391a06f9b6c8cde2f0689c523eed945f8fe5da92746f7e51115315718/341A6409.jpg" data-mid="65655311" border="0" src="https://freight.cargo.site/w/1000/i/d180849391a06f9b6c8cde2f0689c523eed945f8fe5da92746f7e51115315718/341A6409.jpg" /> <img width="1024" height="657" width_o="1024" height_o="657" data-src="https://freight.cargo.site/t/original/i/5bb873e752820d7f76b7895627fd1dbb2470bfb0dc5a95124a9d30bd7d4cf8c5/341A6402.jpg" data-mid="65655314" border="0" src="https://freight.cargo.site/w/1000/i/5bb873e752820d7f76b7895627fd1dbb2470bfb0dc5a95124a9d30bd7d4cf8c5/341A6402.jpg" /> <img width="1081" height="1081" width_o="1081" height_o="1081" data-src="https://freight.cargo.site/t/original/i/552ceacd3a75f5d7a478ffebdbd5e17b52f403b04b92f51e5a666ea72303a2ee/-2018-.png" data-mid="65654736" border="0" src="https://freight.cargo.site/w/1000/i/552ceacd3a75f5d7a478ffebdbd5e17b52f403b04b92f51e5a666ea72303a2ee/-2018-.png" /> <img width="2864" height="1740" width_o="2864" height_o="1740" data-src="https://freight.cargo.site/t/original/i/4a7a3eaad5902ebe9423d515f98262296bd38151555d2a2b81eec13f76c96386/Screen-Shot-2020-04-03-at-7.54.23-PM.png" data-mid="65655389" border="0" src="https://freight.cargo.site/w/1000/i/4a7a3eaad5902ebe9423d515f98262296bd38151555d2a2b81eec13f76c96386/Screen-Shot-2020-04-03-at-7.54.23-PM.png" /> <img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/bba2bedaa606ca09f29c766e3a3d4ab6db703d9574562c0464921f304cd02c22/mymontrealchandelierchohab-by-Heewoong-Jin---Claire-Stewart_02.jpg" data-mid="131307393" border="0" src="https://freight.cargo.site/w/1000/i/bba2bedaa606ca09f29c766e3a3d4ab6db703d9574562c0464921f304cd02c22/mymontrealchandelierchohab-by-Heewoong-Jin---Claire-Stewart_02.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/57f21807c1eb1ab2c166d035bc58f0ce1ffe849a6d14051ff42da723562698c1/DSC04960.jpg" data-mid="65656250" border="0" src="https://freight.cargo.site/w/1000/i/57f21807c1eb1ab2c166d035bc58f0ce1ffe849a6d14051ff42da723562698c1/DSC04960.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/1da6e5a802a90786e49675b5054c106587e45516da18a0989563eb3cc573f0c2/DSC04963.jpg" data-mid="65656245" border="0" src="https://freight.cargo.site/w/1000/i/1da6e5a802a90786e49675b5054c106587e45516da18a0989563eb3cc573f0c2/DSC04963.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/63e81abcb31229207756ff8e072c4d88a62fda00ba02ee136c2e03426d7558a7/DSC04966.jpg" data-mid="65656246" border="0" src="https://freight.cargo.site/w/1000/i/63e81abcb31229207756ff8e072c4d88a62fda00ba02ee136c2e03426d7558a7/DSC04966.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/325b0c6de11763bd5310a68fcb59e73131a788847b46fd78341ae84a121c3694/DSC04949.jpg" data-mid="65656248" border="0" src="https://freight.cargo.site/w/1000/i/325b0c6de11763bd5310a68fcb59e73131a788847b46fd78341ae84a121c3694/DSC04949.jpg" /> https://jinheewoong.com/orbit-here Fri, 03 Apr 2020 22:27:57 +0000 Jinheewoong https://jinheewoong.com/orbit-here Heewoong's works have the appearance of having meekly inherited the legacy of 20th century western art history in that the materials used were preexisting objects. However, Heewoong's work, in contrast to the desire for appropriation in readymade, takes a nonmaterialistic approach to objects, and resembles minimalist sculptures in aspect but does not actively require the existence of an observer. In this, Heewoong's works can be defined as a repudiation of the legacies of art history rather than a safe exploration of its genealogy. Heewoong's works consist of objects discovered by chance. Most of these objects would have been determined to have been depleted of their usefulness and discarded by those who previously owned and used them. Work begins with the selection of objects already once drained of their material properties and purpose. The artist then empties out these objects once more. One might expect objects chosen by the artist to inevitably be a strong reflection of the temporal, spatial, and socioeconomic circumstances of the artist at the time of choosing, but the objects he presents come into the display space and feign ignorance of such circumstances. This is because they are garbed in a new language covering where the user first discarded meaning, then the artist again emptied of meaning. The objects in Heewoong’s works exist as completed sculptures of willful language. The artist takes objects emptied of their original material properties, paints over them with reified language, and entangles the relationships between these newly garbed objects. The multiple layers of vocalization these objects exude overlap, tangle, or parallel each other and resonate. Interpreting Heewoong's method of using objects from a perspective that everyday objects can too become art is a complacent and erroneous approach. Heewoong Jin places objects on the medium or stage of display, and makes it so that the language and volition etc. the artist reinfused each object with radiates out. Heewoong overturns the traditional narratives an object entering the stage of art would be expected to follow, and again overturns the perceptions of an audience dulled despite lifetimes surrounded by objects. Heewoong Jin's objects, within the structure and order of work to revisualize the auditory images of linguistic reiteration created by visual objects garbed in new language, are quietly yet incessantly clamoring. As if they do not know what they originally were, as if they do not know who erased that origin, as if they had always been garbed in the language they are now. Kim Hyojung(Theory of Art) found objects in the exhibition venue, Barim media space, Gwangju, Korea 2014 found objects around the exhibition venue, One and J+, Seoul, Korea 2017 Peripheral hours, 8947 saint-urbain, Montreal, Canada 2018 Light is coming to you, Barim media space, Gwangju, Korea 2014 <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a5d093b745f74b3b6e8b06483f9a798b008f0c6f77f198fdeb9773a9af50ef5a/IMG_0348.JPG" data-mid="117860009" border="0" src="https://freight.cargo.site/w/1000/i/a5d093b745f74b3b6e8b06483f9a798b008f0c6f77f198fdeb9773a9af50ef5a/IMG_0348.JPG" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/352d6b0e31d30e3bdb957eae71ca44fa501cad4683531621124fc082d9a09264/IMG_0345.JPG" data-mid="117859981" border="0" src="https://freight.cargo.site/w/1000/i/352d6b0e31d30e3bdb957eae71ca44fa501cad4683531621124fc082d9a09264/IMG_0345.JPG" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/63abcee0ea8e898832d722ef7a20a149e5474b26c784d31f9d8ce4a47ea80c36/IMG_0325.JPG" data-mid="117859900" border="0" src="https://freight.cargo.site/w/1000/i/63abcee0ea8e898832d722ef7a20a149e5474b26c784d31f9d8ce4a47ea80c36/IMG_0325.JPG" /> orbit here, One and J+, Seoul, Korea, 2017 <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/9847716153ec6c44577dbd3d24d869002aa3d2d03ed3e5bf6b74b8980be5c6c8/Orbit1.jpg" data-mid="66466184" border="0" src="https://freight.cargo.site/w/1000/i/9847716153ec6c44577dbd3d24d869002aa3d2d03ed3e5bf6b74b8980be5c6c8/Orbit1.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/ce167754a2b04ff46e95ac9fe46b3e165f2239334e94da0a85ca5f538e90c43b/Orbit2.jpg" data-mid="66466185" border="0" src="https://freight.cargo.site/w/1000/i/ce167754a2b04ff46e95ac9fe46b3e165f2239334e94da0a85ca5f538e90c43b/Orbit2.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/5b5930388f23f9a4d7629429e83d14f83f5d60fa117f1cfe588ff6477e74ccb5/Orbit4.jpg" data-mid="66466475" border="0" src="https://freight.cargo.site/w/1000/i/5b5930388f23f9a4d7629429e83d14f83f5d60fa117f1cfe588ff6477e74ccb5/Orbit4.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/8d9366bf4f147b8b008adb7f190c93bc9c357200c1d2363c32642c4a64a7b04d/Orbit5.jpg" data-mid="66466476" border="0" src="https://freight.cargo.site/w/1000/i/8d9366bf4f147b8b008adb7f190c93bc9c357200c1d2363c32642c4a64a7b04d/Orbit5.jpg" /><img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c09e94371ceefd36ddedc0ffd22e7088c6eb49a8acf7fc93b67070248db8b990/Orbit6.jpg" data-mid="66466496" border="0" src="https://freight.cargo.site/w/1000/i/c09e94371ceefd36ddedc0ffd22e7088c6eb49a8acf7fc93b67070248db8b990/Orbit6.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/ffb6afc2c8d6549c983fab31def6df50404e4c380c5ae8699c378018191262c2/Orbit7.jpg" data-mid="66466602" border="0" src="https://freight.cargo.site/w/1000/i/ffb6afc2c8d6549c983fab31def6df50404e4c380c5ae8699c378018191262c2/Orbit7.jpg" /><img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c7b6e54c0f75c69b2689aef5109549367234a2fbde8602e277ffd7655166b28e/Orbit8.jpg" data-mid="66466605" border="0" src="https://freight.cargo.site/w/1000/i/c7b6e54c0f75c69b2689aef5109549367234a2fbde8602e277ffd7655166b28e/Orbit8.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f7023fa15d18dbc18c0a3c76c162295aa89d170f340f4ffc135fcd5a6af248d4/Orbit11.jpg" data-mid="66466662" border="0" src="https://freight.cargo.site/w/1000/i/f7023fa15d18dbc18c0a3c76c162295aa89d170f340f4ffc135fcd5a6af248d4/Orbit11.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f22e412a997db2d1f8907179f7824ba2c66838da4b7694b78eb7143faee17628/Orbit9.jpg" data-mid="66699316" border="0" src="https://freight.cargo.site/w/1000/i/f22e412a997db2d1f8907179f7824ba2c66838da4b7694b78eb7143faee17628/Orbit9.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/9c031b23854a079bccbc9e79f617da159a7883f886d9036bc05490a3271c2c32/Orbit13.jpg" data-mid="66466963" border="0" src="https://freight.cargo.site/w/1000/i/9c031b23854a079bccbc9e79f617da159a7883f886d9036bc05490a3271c2c32/Orbit13.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/11ff4c82a88b63f6bb5f1ebba4276c287c9a3afb68f42e2f5816dbd5c2af9864/Orbit20.jpg" data-mid="66695047" border="0" src="https://freight.cargo.site/w/1000/i/11ff4c82a88b63f6bb5f1ebba4276c287c9a3afb68f42e2f5816dbd5c2af9864/Orbit20.jpg" /> peripheral hours, 8947 saint-urbain, Montreal, Canada 2018 <img width="3240" height="5760" width_o="3240" height_o="5760" data-src="https://freight.cargo.site/t/original/i/0159f05ae17ba761ace328216686c11f76c22a2b8cd6e02c31b02f8e9e6b42df/Victoria-s-book1.jpg" data-mid="66699304" border="0" src="https://freight.cargo.site/w/1000/i/0159f05ae17ba761ace328216686c11f76c22a2b8cd6e02c31b02f8e9e6b42df/Victoria-s-book1.jpg" /> <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/85556c14d83f7de0020303e958b975a4631b241090acb5b81810b96921c1de64/Victoria-s-book2.jpg" data-mid="66699305" border="0" src="https://freight.cargo.site/w/1000/i/85556c14d83f7de0020303e958b975a4631b241090acb5b81810b96921c1de64/Victoria-s-book2.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/39fd85bfdf9087e255d49c152a9e225da2f5fa92031e9eebfd5ed2b11feb8c88/Victoria-s-kitchen1.jpg" data-mid="66699306" border="0" src="https://freight.cargo.site/w/1000/i/39fd85bfdf9087e255d49c152a9e225da2f5fa92031e9eebfd5ed2b11feb8c88/Victoria-s-kitchen1.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/cb28247ea47a6db3e4dd45318507a96ce53938b7d6c36a6a75b2635a02b8d8b1/Victoria-s-kitchen2.jpg" data-mid="66699307" border="0" src="https://freight.cargo.site/w/1000/i/cb28247ea47a6db3e4dd45318507a96ce53938b7d6c36a6a75b2635a02b8d8b1/Victoria-s-kitchen2.jpg" /><img width="5760" height="3840" width_o="5760" height_o="3840" 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